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PostPosted: 02 Nov 2010, 12:52 
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Grand Poobah
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http://users.livejournal.com/_allecto_/34718.html

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A Rapist's View of the World: Joss Whedon and Firefly
This is a really long rant about Joss Whedon's Firefly. Why? Because I'm angry and I think it is really important that feminists don't leave popular culture out of the equation. Especially considering that popular culture is increasingly being influenced by pornography.

***

I have become increasingly interested in examining Joss Whedon’s work from a feminist perspective since I had a conversation with another lesbian feminist sister at the International Feminist Summit about whether Joss was a feminist. I am really quite shocked by how readily Joss is accepted as a feminist, and that his works are widely considered to be feminist. I decided to start re-watching Buffy: The Vampire Slayer and also to watch Firefly and the movie Serenity.

I have to say that now that I have subjected myself to the horror that is Firefly, I really am beyond worried about how much men hate us, given that this was written by a man who calls himself a feminist.

I find much of Joss Whedon’s work to be heavily influenced by pornography, and pornographic humour. While I would argue that there are some aspects of Buffy: The Vampire Slayer that are feminist and progressive, there is much that isn’t and I find it highly problematic that there are many very woman-hating messages contained within a show that purports itself as feminism. But Firefly takes misogyny to a new level of terrifying. I am really, really worried that women can call the man who made this show a feminist.

For myself, I’m not sure that I will recover from the shock of watching the malicious way in which Joss stripped his female characters of their integrity, the pleasure he seemed to take from showing potentially powerful women bashed, the way he gleefully demonized female power and selfhood and smashed women into little bits, male fists in women’s faces, male voices drowning out our words.

There is so much hatred towards women contained within the scripts and action of the series that I doubt very much that this post will even begin to cover it. I am going to try to focus on the episodes that were written by Joss Whedon but I will also refer to the series as a whole. As Joss Whedon was responsible for the concept development and was a producer, ultimately I hold him accountable for the depiction of women in the entire season. Only one episode was written by a woman. It was no better or worse in its depiction of women than the ones written by men.

<snip>

Money doesn’t seem to be the motivation behind Inara’s ‘choice’ to be a ‘Companion’, presumably she just ‘enjoys’ swanning around in ridiculous outfits. And being used as a fuck toy by men is seemingly a small price to pay for the pleasure.

At any rate, Inara’s apparent ‘power’ is merely a figment of Joss Whedon’s very sick imagination. In a later episode, Inara is shown to have set down three very specific rules in relation to her arrangement to hiring one of Mal’s shuttles as her base of operations. 1) No crew member, including the Captain would be allowed entrance to the shuttle without Inara’s express invitation. 2) Inara refuses to service the Captain nor anyone under his employ. And 3) the Captain cannot refer to Inara as a whore.
Mal agrees to all of these rules but he breaks every single one of them. Blatantly and deliberately. The third thing that Mal says in the first interaction between Inara and Mal is, “She’s a whore…” Does Inara stop him from calling her a whore? Nope. She just goes on smiling and being gracious. So he calls her a whore again. Lovely man this Mal is, dontcha think?

And in regards to her first rule, Mal takes every opportunity he can to break it. In the first episode Mal barges into Inara’s shuttle. The interchange goes like this:

Inara: What are you doing on my shuttle?

Mal: It's my shuttle. You rent it.

Inara: Then when I'm behind on the rent, you can enter unasked.

<snip>

Beyond a shadow of a doubt, Joss uses his own wife in this way. Expects her to clean up his emotional messes. Expects her to be there, eternally supportive, eternally subservient and grateful to him in all his manly glory. I hope the money is worth it, Mrs. Whedon. But somehow I doubt that it is. No amount of money can buy back wasted emotional resources.

Aside from women being fuck toys, property and punching bags for the men, the women have very little importance in the series. I counted the amount of times women talk in the episode Serenity compared to the amount of times men talk. The result was unsurprising. Men: 458 Women: 175. So throughout the first episode men talk more than two and a half times as much as women do. And women talk mainly in questions whereas men talk in statements. Basically, this means that men direct the action and are active participants whereas women are merely observers and facilitators.

Given the fact that women are largely absent from the action and the dialogue of the majority of scenes it is unsurprising that the action onscreen is highly homoerotic. Men jostle with each other for power. Pushing each others buttons, and getting into scuffles. This intense homoeroticism is present from the outset as Mal asserts his rights as alpha male on the ship.

<snip>

Zoe is not shown to have a personality of her own. She has no outside interests, no ideas or beliefs, no conversation with anyone other than Wash or Mal. She has no female friends, in fact she tends to dislike women. For example, she is the first one to insult Saffron in the episode Our Mrs. Reynolds, calling her ‘trouble’.

Zoe, of course, is meant to be our empowered, ass-kicking sidechick. Like all sidechicks she is objectified from the get go. Her husband, Wash, talking about how he likes to watch her bathe. Let me just say now that I have never personally known of a healthy relationship between a white man and a woman of colour. I have known a black woman whose white husband would strangle and bash her while her young children watched. My white grandfather liked black women because they were ‘exotic’, and he did not, could not treat women, especially women of colour, like human beings. I grew up watching my great aunts, my aunty and my mother all treated like shit by their white husbands, the men they loved. So you will forgive me for believing that the character, Wash, is a rapist and an abuser, particularly considering that he treats Zoe like an object and possession.

<snip>

I can assure you that this is just the beginning of my rant on Firefly. There is so much more disturbing stuff later in the series. In particular, an episode called Our Mrs. Reynolds, another episode written by Joss, which completely demonises women as well as pornifying male violence against us.


She's not lying: follow the link to more of her writings about Whedon.

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PostPosted: 02 Nov 2010, 15:05 
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Grand Poobah
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Joined: 18 Sep 2007, 11:26
Posts: 5793
Location: Buffalo, NY
I dunno. About the no amount of money can bring back wasted emotional resources.

I think a day at a spa would replenish me pretty well.

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